Stories by Sri Chinmoy's students and friends
You have a multitude of questions,
But there is only one answer:
The road is right in front of you,
And the guide is waiting for you.
We, Sri Chinmoy's students, are grateful for the opportunity to share some of our most precious experiences of Sri Chinmoy with you. Like many-faceted gems, these stories reveal the powerful guidance, sweetly intimate moments, and deep inner connection that the students of a true spiritual Master can experience.
In early 1998 Guru completed what was then his most prodigious poetic work—the 270 volumes of his monumental Twenty-Seven Thousand Aspiration-Plants—and so concluded an epic venture spanning more than fourteen years. It was another of those relentlessly sustained and patient undertakings which together coursed like a braided river through Guru’s life, those multiple strands of inspiration, of paintings and soul-birds, literature and music and wonderfully original things.
One evening we were with Guru shortly after the last poem in this series had been written. We asked Guru for suggestions for how his New Zealand disciples could celebrate the culmination of this vast poetic work.
Guru rose and went through a doorway into an adjoining room for two or three minutes, then came back with a series of ideas that quite astonished us. It was as though he had also stepped through an unseen portal into another world where the future, the unimagined, the possible, lay awaiting its manifestation—and gathered from there a few trinkets to bring back. The first of these? That we shake 27,000 people’s hands, giving each of these people a card of poems and a sweet!
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Guru always wanted to play at the Sydney Opera House. For Guru, there was something very magical about that building. Guru liked the building very, very much. Guru said whenever he hears the name Sydney, he thinks of the Opera House. We knew that Guru would love to play the organ, so we got permission somehow, I don't know how. It was a miracle that we got permission for Guru to play the organ.
There were about maybe one hundred disciples. It was not for the public. It was only for some disciples. Also, it was being recorded by the national radio. The gentleman who would show Guru the organ was a very famous organ player himself. It was arranged that he would also interview Guru for the radio program. Guru was very excited about playing this organ. It is the largest mechanical action organ in the world. It has ten thousand pipes.
There were many forces coming together. There was the building itself that Guru loved so much, then there was the organ, which was so special, and the occasion. Guru flew especially to Sydney from Melbourne just to play this organ.
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In 1985, I became the first student of Sri Chinmoy to swim the English Channel. It was a very, very special experience. As I was told later, Guru was sitting at home, meditating for most of the time on my swim, always trying to get information on how I was doing.
I was blessed with an extremely easy swim. When I stepped into the Channel water at Shakespeare Beach at 7 a.m., I was full of confidence that I would make it. After six hours into the swim, when I could see both coasts, I had the firm conviction that on the inner plane, it was already done—it just had to be executed outwardly. I felt carried by a wave of inner joy and bliss most of the time.
After ten hours, the cross-current set in and it was slowly getting dark. Previously I could not imagine swimming in the dark. I would never have dared to get into pitchblack, unknown water at night. Now, with the gradual transition into night, I felt extremely comfortable. I enjoyed the star-strewn sky above me each time I took a breath. And when I looked down into the black water—where earlier I had enjoyed watching the dance of the rays of sunlight—I started to see bright light once again. In the midst of the darkness, Guru's face - his transcendental photograph that we use in our meditations - appeared.
Because of the unpredictable, strong cross-current, I had to swim for five hours more, but it did not matter to me. For those hours, I was swimming into the light of the Transcendental, into Guru's infinite consciousness of light and delight, which was right in front of me like an ever-transcending goal.
I was blessed to have quite a bit of private time with Guru on various occasions. One time I approached him having allowed myself to be immersed by a sense of failure. I told him that I was feeling failure all around me.
He said, “It is not like that. You have to think of yourself as the lump of clay that the potter has. When the potter is working on the lump of clay, you cannot say that it is very beautiful. But he is working on it and it becomes something beautiful.”
Another example Guru used was the farmer who works in the field. He spreads fertilizer, and you cannot say that that is very beautiful. But eventually the farmer grows a bumper crop of food. So it was not that I was a failure, Guru explained to me―it was simply that I was not finished yet. I was witnessing myself in the process of being perfected.
Then Guru added, “If all else fails you and none of that works, just remember that you belong to me. You belong to me.”
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We were told Mother Teresa was staying at a church in Rome, very close to the Coliseum. It was near a church but it was a convent. It was so simple. There was no running water or heat, and the nuns lived with such simplicity. Guru was so excited and so delighted.
When Guru got there, Kailash was driving, and I got to be in the car with Guru. There were about 50 disciples who were already there waiting. They wanted us all to gather at the back entrance of the convent. It was quite beautiful. There were beautiful trees and a view of Rome.
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